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This last button is worth worrying about a little: click it, and OBS quits. Controls contains buttons for starting and stopping the stream, entering studio mode (which we’re not going to use here), accessing settings, and exiting OBS.Since this document does not focus on using scenes, we won’t be spending time on transitions either. By default there are options to cut, which is a film and broadcast term for a zero-count fade, and to fade which means what you think it means. Scene Transitions manage how OBS moves between scenes.

One source, “Desktop Audio,” is present in the mixer even though it’s not on the Sources list.

Audio Mixer is where you can view and adjust the mix between the various audio sources in your OBS setup.

We’ll set up one source for each video surface, one source for audio, etc.

Sources are pathways for getting signals into OBS.

We won’t spend any time with scenes in this document.

Scenes are essentially collections of settings which can be recalled at any time, much like scenes on an audio console.

It’s rather like QLab’s video surface editor.Īcross the bottom of the window are five docked palettes: Scenes, Sources, Audio Mixer, Scene Transitions, and Controls. The large black rectangle taking up most of the window is called the canvas and it shows the video coming into OBS and allows you to arrange video inputs physically. Either way, the setup looks a little complex but is actually quite simple. You can certainly do that if you like, although after going through it once and then trying again manually, we found that using the wizard didn’t save much time or energy. When you first launch OBS Studio, it will offer to walk you through the setup process, wizard-style. It’s much easier to pipe audio in from a separate Mac than video. If you have separate Macs running QLab for audio and video, use the video Mac for OBS Studio.

Sound siphon keeps running install#

This will serve as our “control room.”ĭownload OBS Studio here and install it by opening the downloaded disk image and dragging the OBS app into your Applications folder.įor the purposes of this project, we recommend running OBS Studio on the same Mac that runs QLab.

Sound siphon keeps running software#

Open Broadcaster Software Studio, or OBS Studio, is a free and open source program which takes audio and video from various sources and transmits it to online streaming video services.

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Step 1: Download and install Open Broadcaster Software

Sound siphon keeps running verification#

Verification takes 24 hours, so if you want to stream tomorrow, verify your account today. Please note that to live-stream with YouTube, your account needs to be verified.

Sound siphon keeps running full#

You’ll need to have your stream key ready to make full use of this tutorial, but you can do everything except actually broadcast live without the key, so there’s no need to go get that set up first.

As always, feel free to contact anytime if you have any questions, comments, if you want help, or if you just want to talk something out.īefore you begin, you need to have an account set up with a service that allows live streaming, such as YouTube, Vimeo, Twitch, or one of a zillion other services. There are a lot of little steps to this process, but once the fundamental setup is complete, it’s very easy to operate. There is no partnership between Figure 53 and any of these tools or services. The methods and tools used here were chosen because they’re known to work, are free or as inexpensive as possible, and are relatively straightforward. This document will walk you through the steps needed to achieve that, and point out some software, devices, and services which make it possible. Depending on the nature of the production and the level of detail in the sound and projection design, it can be desirable to route the output of QLab directly to the live-stream for the highest fidelity. Live-streaming a theatrical event can be as simple as pointing a webcam at the stage and starting your show, or it can be a sophisticated broadcast event with multiple cameras and sources of video and audio. Figure 53 does not condone live-streaming of any event without the express permission of all relevant parties, and simultaneously we encourage all relevant parties to learn more about live-streaming to see if it’s a good tool for them. Producers, creators, and labor unions have all struggled with when, how, and how much to incorporate streaming technology into theatrical performances. Live-streaming theater is a bit of a hot topic for many people and many organizations. Step 2: Download and install Soundflower.Step 1: Download and install Open Broadcaster Software.